Number 22: The Warning

I want this image to read as an abstraction and representation at almost the same time.

abstraction = a red "X" and a red circle.

Representation = an upside down figure in a pose of some distress.

I feel the finished product sort of behaves like signage, hence "The Warning"

This piece also felt like it had a hint of "alien artifact" feel to it.

Part of where I believe this shape comes from (in the depths of my subconscious) is the scarecrow shape from the original Planet of the apes (screen shot below)

Wood, acrylic, epoxy, spray paint, caulk, spackle, metal.

15"H. 12"W.

Number 20: flaming sword redux

I'm revisiting some content from about a year ago on this piece.

It was an icon to hang paint and materials on, and I wanted to see how it would look, given my current processes.

Wood, acrylic, epoxy, spray paint, sculpey, spackle

18"H. 5.5"W.

Number 10

This is another wall-hanging relief piece titled "Number 10".

It's content is the tension between a bird in flight and the static quality of it being frozen in a metal surround. In addition to that, the formal contrast between the bright red and the cool metal finish.

Acrylic, Sculpey, wood.

12"H. 9"W.

Inspired by Terminator 2: Judgment Day

click on above image to enlarge

 

This is a piece from what I could call "the crazy crap series"

This wall-hanging sculpture is inspired by the film. More specifically, the title sequence of the film, (stills are shown below). I assume the connection would not be evident to the viewer, although the concept "Judgment Day" and the iconography of this piece might make sense to the viewer... (dead rising?)

But, since I have the ability to give the backstory here, I will...
I've always thought it was a good title sequence. The film itself was epic. Not high-art, but a heavy hitter of pop-culture none the less. In the 5:32 long title sequence, a playground is engulfed in a firestorm, accompanied by Brad Fiedel's languid Terminator theme. (see images below)

I make no claim to be a sculptor. As an artist though, I do think reaching out to different materials make for a unique set of challenges that one would not otherwise encounter. Does the material itself have meaning? What content lends itself to one medium and not another? The conceptual issues are so different when you decide to execute something in 3D verses 2D.

Acrylic, gold glitter, cell phone bling on wood (...don't make me get the macaroni out)

9.5" H. by 6.5" W.

click on image to enlarge

Talisman series #9 -- Bejeweled head

I had this vision of jewels attached to a shaven head as giving a sort of shaman-like appearance.

Each jewel representing an element of the brain's cognition. Each jewel as a protective talisman.
So in a way, this piece is sort of an illustration of that concept.
Title: Talisman series #9 -- Bejeweled Head
11" W, 15" H, acrylic and cell phone bling on wood

Click for a larger view

The side photos show the slight relief depth of the piece

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