Number 23: The Head of the Minotaur

The content here was inspired by some of Picasso's work from the 1930s.

With this piece I have started to integrate into the design a protective case for this type of piece. Since this is high-relief, and has a painted surface instead of the apparent cast metal, I felt I needed to build a shipping crate around the piece to protect it for storage and shipping. If you have every seen art being shipped to and from museums you will notice that each piece has it's own custom made crate. When I look at this piece on the wall, it reminds me of art sitting it it's own crate as you might see it with the lid removed. This art however is never removed from the plywood surround, and in fact is meant to be displayed like this, although it could be framed. I like the contrast between the rough, functional plywood and the smooth glassy and polished metal look of the rest. Form AND function.

Wood, epoxy, spray paint, spackle.

14.5" H., 11.5" W.

This is the protective lid I built for shipping and storage puposes

Number 22: The Warning

I want this image to read as an abstraction and representation at almost the same time.

abstraction = a red "X" and a red circle.

Representation = an upside down figure in a pose of some distress.

I feel the finished product sort of behaves like signage, hence "The Warning"

This piece also felt like it had a hint of "alien artifact" feel to it.

Part of where I believe this shape comes from (in the depths of my subconscious) is the scarecrow shape from the original Planet of the apes (screen shot below)

Wood, acrylic, epoxy, spray paint, caulk, spackle, metal.

15"H. 12"W.

Number 21: Fetish heart

Going for the look of dirty welded steel and rubber. I'm using a valentine heart again, this time right-side-up, but black.

At bottom is a few detail shots to show the faux welds. Click on images for enlarged view.

Wood, acrylic, epoxy, spray paint, caulk, spackle, screws.

13.5"H. 10"W.